Flowers – A language all their own – By Diane Morey Sitton

In the language of flowers, red roses (the most popular Valentine flower) signify love. White roses suggest secrecy and silence. Pink roses say, “You make me happy.” All images by Diane Morey Sitton. All images are clickable for a larger view.

As if the velvety petals of roses, the intoxicating scent of sweet peas and the heart-shaped foliage of cyclamen weren’t expressive enough, turns out that flowers have a language all their own. And at no time during the year do they speak louder or with more conviction than on Valentine’s Day.

Advertisement

At one time cyclamen meant “good-bye.” Today, its red, pink and white blooms seem to say “Happy Valentine’s Day.”

The chatter reached its heyday during the Victorian era when a nosegay was, well, more than a nosegay. Instead, the sweet bouquet was a coded message used to express feelings which couldn’t be spoken aloud. Love was in the air if a courier arrived with red roses, signaling love and devotion. Not so if the roses were yellow, a symbol of friendship. And dreaded cyclamen—despite its heart-shaped foliage and heady red blooms, cyclamen was the Victorian version of a “Dear John” letter, each luscious petal spelling out “It’s over, adieu.”

In the language of flowers, however, all was not lost even after a floral good-bye.

You don’t need the language of flowers to translate daffodils’ joyous impact.

Daffodil, the perky yellow harbinger of spring, not only symbolized new beginnings, but a bouquet of the cheerful blooms could be used to say, “I’m sorry.” Furthermore, daffodils were a flower of good luck and prosperity … that is, only when given in a bunch. A single, lonely bloom was an omen of dark days ahead.

During the Victorian era, sending a red camellia proclaimed, “I’m crazy about you.” White camellias meant, “You’re adorable.”

Ever creative and dedicated to the arts, the Victorians coined the colorful name “floriography” to describe the age-old art form of associating certain flowers with meanings and emotions. It is said that in 1717, after a stint in Turkey with her ambassador husband, Lady Mary Wortley Montagu introduced the language of flowers to the United Kingdom.

Victorians made tussie mussies by securing pansies and herbs in doilies tied with ribbons. The bouquets meant, “I’m thinking about you.”

Nobility there were smitten with floral symbolism. Even William Shakespeare took to flowers to express his characters’ feeling and emotions: violets, primroses, pansies and columbines played parts in Hamlet; and who could ever forget Juliet’s famous quote in Romeo and Juliet, “What’s in a name? That which we call a rose by any other name would smell as sweet.”

During Victorian times, hiding a snapdragon in your pocket was thought to make you more charming. To some, the versatile flower symbolized deception; to others, graciousness.
No matter what language, these Johnny-jump-ups brighten the mood with their cheerful, heart-shaped faces.

Like the flowers themselves, the language of flowers flourished. Decades passed, books, floral dictionaries and beautifully illustrated posters proliferated, and, today, online lists of flowers and their meanings are as common as daisies.

Advertisement

In the language of flowers, blue hydrangea blooms represent gratitude and sincerity, pink blooms symbolize love, and white blooms embody grace and abundance.

Have some of the meanings changed? Perhaps. Are the colors of flowers less important than during the Victorian era? Maybe. Has the number of blooms in a nosegay or arrangement become less significant? You be the judge.

It’s no wonder dianthus is popular in February: the “flower of the gods” signifies affection and gratitude. The name comes from the Greek dios (God) and Anthos (flower).

Despite cultural changes brought on by the passing of time, one thing remains the same. With all their textural intricacies, exhilarating scents, and rich colors, come Valentine’s Day flowers will still be the talk of the town.

Posted by Diane Morey Sitton
Back To Top